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Mostra personale
"Finestre di luce nei boschi"
dal'8 Ottobre - al 31 Ottobre a Milano
Upcoming Exhibitions
The Affordable Online Art Fair 6 → 31 November 2020
( At stand of EYE Contemporary Art Gallery )
The Affordable Online Art Fair launches to the public on Friday 6 November 2020, and runs throughout the month, with 50 hand-picked galleries, each with a dedicated viewing room hosted on our online marketplace.
To visit this Online Art Fair, please click here
Upcoming Exhibitions
6 → 30 November 2020 / Online
The Affordable Online Art Fair
at Online Art Fair
To visit this Online Art Fair, please click here
Stand :EYE Contemporary Art Gallery
7 → 20 November 2020 / Mantova, Italy
Group exhibition
at MAD Art gallery
address: via Camillo Benso Cavour 59 46100 Mantova, Italy
18 → 21 March 2020 / Brussels
Affordable Art Fair
at the Tour & Taxis
address: Gedempt Hamerkanaal 231, 1021 KP Amsterdam
Stand: EYE Contemporary Art Gallery
6 → 9 May 2021 / London Hampstead
Affordable Art Fair
at Lower Fairground Site
address: East Heath Road, Camden, London NW3 1TH
Stand: EYE Contemporary Art Gallery
Shoko Okumura
Born in Japan in 1983, currently Shoko Okumura lives and works in Milan Italy.
Recipient of a distinguished government scholarship, in 2008 graduates with a Degree in Traditional Japanese Painting at Tokyo University of the Arts. Following her degree and subsequent move to Florence Italy to learn the art of fresco restorations, a newfound understanding of fresco techniques and colors led to experimenting and applying Italian pigments to Japanese painting techniques, which often utilizes metal supports such as gold or silver leaf.
The key aim is to represent the relationship between human beings and nature. Seasons passing, colors waning and sounds merging towards a renewed harmony have always, across all cultures, been a source both of art inspiration through its myriad of expressions and of deep emotions for souls open to the world’s wonders.
This style of painting is more demanding than what appears at first glance. An intent gazer must mesh palpable first impressions with subtle hints and allusions, thereby expanding one’s extrinsic perceptive vision, the image within the frame, to the inner self – of both artist and observer - to which the image truly appeals.
