Upcoming exhibitions
Feb 8 → 12 2023 / Brussels
Affordable Art Fair
Venue: Avenue du Port 86C, 1000 Brussels, Belgium
Stand: EYE Contemporary Art Gallery
Opening times:
Vernissage:
Wednesday 8 February, 17:00 – 22:00
Public Days:
Thursday 9 February, 12:00 – 22:00
Friday 10 February, 14:00 – 22:00
Saturday 11 February, 11:00 – 19:00
Sunday 12 February, 11:00 – 19:00
Mar 03 → 05 2023 / Milan
Affordable Art Fair
Venue: Super studio MAXI
Via Moncucco 35, 20134 Milan, Italy
Stand: EYE Contemporary Art Gallery
Opening times:
Vernissage:
2 March, 18:00 – 22:00
Public Days:
Friday 3 March, 11:00 – 21:00
Saturday 4 March, 11:00 – 21:00
Sunday 5 March February, 11:00 – 20:00
May 11 → 14 2023 / London
Affordable Art Fair
Venue: Lower Fairground Site
Hampstead Heath, London NW3 1TH
Stand: EYE Contemporary Art Gallery
Opening times:
Thursday 11 May, 12:00 – 22:00
Friday 12 May, 12:00 – 20:00
Saturday 13 May, 11:00 – 20:00
Sunday 14 May, 11:00 – 18:00
May 11 → 22 2023 / Tokyo
Mitsukoshi Art Fair
Venue: Nihonbashi Mitsukoshi
1 Chome-4-1 Nihonbashi muromachi,
Chuo City, Tokyo 103-8001
Opening times: 10.00 - 19.30
Seasons passing, colors waning and sounds merging towards a renewed harmony have always, across all cultures, been a source both of art inspiration through its myriad of expressions and of deep emotions for souls open to the world’s wonders.
The Japanese love of nature and its manifestations is well recognized.
This style of painting is more demanding than what appears at first glance. An intent gazer must mesh palpable first impressions with subtle hints and allusions, thereby expanding one’s extrinsic perceptive vision, the image within the frame, to the inner self – of both artist and observer - to which the image truly appeals.
Shoko Okumura
Born in Japan in 1983, currently Shoko Okumura lives and works in Milan Italy.
Recipient of a distinguished government scholarship, in 2008 graduates with a Degree in Traditional Japanese Painting at Tokyo University of the Arts. Following her degree and subsequent move to Florence Italy to learn the art of fresco restorations, a newfound understanding of fresco techniques and colors led to experimenting and applying Italian pigments to Japanese painting techniques, which often utilizes metal supports such as gold or silver leaf.
The key aim is to represent the relationship between human beings and nature. Seasons passing, colors waning and sounds merging towards a renewed harmony have always, across all cultures, been a source both of art inspiration through its myriad of expressions and of deep emotions for souls open to the world’s wonders.
This style of painting is more demanding than what appears at first glance. An intent gazer must mesh palpable first impressions with subtle hints and allusions, thereby expanding one’s extrinsic perceptive vision, the image within the frame, to the inner self – of both artist and observer - to which the image truly appeals.
